Pepper's ghost displays
A reflected performance or product in a staged set, best in dim, controlled rooms with a known viewing angle.
Service / 17
Chandrapur · Maharashtra · India
Hologram solutions in Chandrapur, with the illusion explained
Most products sold as holograms are not holograms. They are reflective, LED or volumetric illusions with specific viewing conditions, and the brief should start by naming which one fits.
IllusionDisplay type
On-siteSet-up
9+Years in practice
ChandrapurHeadquarters
Overview
What the word hologram actually covers
Several very different techniques get sold under one name, and they behave nothing alike in a lit room.
A Pepper's ghost rig reflects a screen off angled glass or film, so the audience sees a figure apparently standing in a set. It works well in controlled light with a defined viewing angle, and poorly in a bright hall with people walking around it. Transparent LED panels show an image on a physical screen you can partly see through. Volumetric units build a small image inside a physical volume. None of these produces a free-floating picture visible from every side in daylight.
We start by describing the effect you want and the room it will sit in, then choose the technique that can deliver it. If the venue cannot support the effect, we say so before a deposit is paid rather than after the stage is built.
Scope
Formats we set up
The method is chosen against sightlines, ambient light and the story being told, not against a supplier catalogue.
Transparent LED screens
Bright enough for retail and camera work, with the image sitting on the panel plane rather than floating.
Volumetric displays
Small objects and logos readable from several directions, suited to counter-top and close viewing.
Stage reveals and launches
A reveal sequence combining screen, lighting and timing so the product appears at the planned moment.
Content for illusion formats
Video made for the exact frame, transparency and black levels the display needs.
Show control and cueing
One operator running sound, light and image from a single cue list instead of three separate remotes.
Included
Included in the engagement
A written method note comes first. It records the effect, the viewing zone and the lighting conditions it needs.
- Effect and audience brief
- Venue sightline and lighting survey
- Technique recommendation in writing
- Content storyboard and test frames
- Hardware sourcing and integration
- Stage, audio and lighting cues
- On-site setup and rehearsal
- Operator training and checklists
Deliverables
What you receive
- A method note stating what the audience will see, and from where
- Finished content in the required format
- Integrated display, stage and audio
- A cue list with timings and manual overrides
- Rehearsal with the person who will operate it
- Advice on storing and reusing the setup
Fit
Where this works
Illusion displays suit a controlled moment in front of a seated audience far better than a busy public space.
Product launches and press events
A single reveal under stage lighting, with cameras positioned inside the viewing zone.
Showroom and reception displays
A repeating loop in a space where the light can be managed.
Exhibition stands
One strong attractor at the front of a stall, drawing people into a conversation.
Award functions and keynote stages
Remote speakers or presented objects made visible to a seated hall.
- 01 / ProblemThe venue is far too bright for a reflected image
- We test the actual light levels and either recommend a transparent LED or projection approach, or explain what lighting control the effect would require.
- 02 / ProblemA supplier promised an image floating in mid-air
- We define the viewing cone, the minimum distance and the lighting in writing, so the audience sees the effect as designed.
- 03 / ProblemThe content was made for a different screen shape
- Content is produced for the exact frame and transparency of the chosen display, then checked on the equipment before the event.
- 04 / ProblemNobody at the venue knows how to run it
- Cue lists, labelled inputs and a rehearsal put operation in the hands of the client team, not a technician who leaves after setup.
Process
How a display is put together
Each stage narrows the options, so the technique is confirmed before content and hardware costs are committed.
-
Step 01
Describe the moment
What the audience should see, from where, and for how long.
-
Step 02
Survey the space
Light readings, rigging points, power, sightlines and the depth behind the set.
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Step 03
Confirm the method
A written recommendation with the limits of the chosen technique stated plainly.
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Step 04
Produce the content
Frames, transparency and timing built for the confirmed equipment.
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Step 05
Rehearse on site
Cue the reveal with the client team, at the lighting level the audience will see.
Technology
What makes up the display
Hardware is sourced for the project. Integration and cueing are the parts we control.
Display
- Reflective glass and film rigs
- Transparent LED panels
- Volumetric units
- Projection and screen alternatives
Content
- Alpha-channel video
- Aspect-specific framing
- Black-level matching
- Loop and cue versions
Control
- Timed cue lists
- Lighting and audio sync
- Operator triggers
- Manual override
Outcomes
What the audience takes away
The effect either reads instantly from where people are standing, or it does not. That is what the planning is for.
01
A reveal that reads from the seats
The effect is built for the actual viewing angle, not the ideal one.
02
No surprise on the day
The technique and its limits were agreed before the stage was built.
03
Content that travels
The same media can be reformatted for the next venue or show.
04
An operator in control
Someone from your team can start, stop and recover the sequence.
FAQ
Hologram questions
Still unsure whether this fits what you are trying to do? Ask directly — you will get an honest answer, including when the answer is no.
Talk to the teamIs this a real hologram?
Not in the science-fiction sense. What we install is a Pepper's ghost reflection, a transparent LED or a volumetric display, all of which create the impression of a three-dimensional subject. We use the word because clients search for it, and we name the actual technique in every quotation.
Can the image float in the middle of a large open hall?
Not reliably. Every technique has a viewing zone, and outside it the illusion falls apart. In an open hall we design sightlines, seating and lighting together so most of the audience is inside that zone.
Will it look good on camera?
Usually, if the camera shutter and exposure are adjusted and the background is dark. We test with the event photographer or broadcaster ahead of the show rather than discovering the problem on the day.
How much does a setup cost?
It depends on size, technique and whether the hardware is bought or rented. A quote follows a venue survey, because a figure given before the room is understood is a guess.
Can the setup be reused?
The content usually can, with reformatting for a different display. Hardware reuse depends on whether it was purchased and how it was rigged at the first venue.